(The Dramatic Structure of Conflict in Andalusian Poetry during the Taifa and Almoravid Periods)
البناء الدرامي للصراع في القصيدة الأندلسية في عصري الطوائف والمرابطين
| dc.contributor.advisor | أ . د . رعد ناصر مايود الوائلي | ar |
| dc.contributor.author | عبد الحسين, سارة جاسم | ar |
| dc.date.accessioned | 2026-10-13T10:22:47Z | |
| dc.date.issued | 2026 | en |
| dc.description.abstract | الفصل الأول بـ مفهوم الصراع في النقد الأدبي والدرامي (الإطار النظري والبنى التمهيدية). وتناول بالدراسة والتحليل البنية السياسية الحاضنة وأثر تقلباتها العنيفة، وتفتت الكيانات الكبرى إلى دويلات متناحرة، ومدى انعكاس هذا التشرذم على نشوء الصراعات الطبقية والهوياتية والاجتماعية التي ألقت بظلالها على البيئة الفكرية والإبداعية حيث جاء بثلاث مباحث، المبحث الأول (أنماط الصراع ) والمبحث الثاني (السياق التاريخي والثقافي للأندلس في عصري الطوائف والمرابطين) أما المبحث الثالث(ملامح القصيدة الأندلسية في هذين العصرين)، ووُسم الفصلُ الثاني من الدراسة بعنوان(أنماط الصراع في القصيدة الأندلسية )، وركز على تتبع تمثلات الصراع في الأجناس الأدبية ، مبرزاً أثر القمع والاستبداد في ولادة وتشكيل أدب الاغتراب، والمنفى، ورسائل الاستعطاف، وأدب السجون ومواجهة الشاعر للسلطة ،حيث تشكل من ثلاث مباحث ، المبحث الأول(الصراع السياسي) والمبحث الثاني (الصراع الاجتماعي) والمبحث الثالث (الصراع النفسي والوجودي) وتشكل الفصل الثالث بعنوان (البناء الدرامي وتجلياته الفنية) وعني هذا الفصل بالجانب التطبيقي الجمالي على المدونة الشعرية؛ حيث تم فحص تحول الشعر إلى سلطة رقابية ونقدية عبر "الهجاء السياسي"، ودراسة تراجيديا "رثاء المدن والممالك الزائلة" بوصفها ذروة الصراع الفاجعة ، وصولاً إلى تحليل الآليات البنائية والجمالية للقصيدة كالمنظور الحواري وتعدد الأصوات فكان المبحث الاول عن(الشخصيات الدرامية في القصيدة) والثاني (المشهد الدرامي في النص الشعري) أما الثالث فكان مبحثا فنياً يعنى بالدراسات الفنية الاكاديمية، وتختتم الرسالة بـ الخاتمة التي تلخص ما توصل إليه البحث من نتائج وتوصيات. | ar |
| dc.description.abstractenglish | Praise be to God, Lord of the Worlds, who says in His decisive revelation: *“He taught him eloquence. May peace and blessings be upon the Messenger who was sent as a mercy to the worlds, the most eloquent of those who spoke the Arabic language, and upon his pure and righteous family and companions, and those who follow them in righteousness until the Day of Judgment. To proceed: Literature, in its essence, is not merely intellectual luxury suspended in a vacuum or aesthetic fragments isolated from the movement of history. Rather, it is a living mirror that delves into the reality of societies and portrays their crises, and a communicative structure that contextually influences and is influenced by the historical and political shifts surrounding the creator and shaping their consciousness. Since poetry—as the literary genre most intensive and reductive of collective feelings and human sentiment—represents the most sensitive probe and the deepest vessel for expressing the general spirit of the nation, it has always remained the field most responsive to political transformations, and the back arena in which power and societal interactions melt into a crucible. The structural relationship between the political and literary fields is founded on complex intersections that touch upon the core of social consciousness and the engineering of the public space. During periods of crises and major transformations, creative production shifts from the realm of reportage and static oratory into a tense, dramatic energy overflowing with symbolism and ideological consciousness. In this context, the (concept of conflict) emerges as an inevitable phenomenon and a structural pattern of human interaction, present in any social context, whether centered around material instrumental interests or around value-based, ideological, cultural, and authoritative systems. When political balance is disrupted in any civilized environment, creative structures—especially the poetic poem—become a living arena where wills collide, voices intersect, and language abandons its classical calm to adopt techniques of dialogue and drama to confront the reality of civilizational change. Our goal in this study is to observe and deconstruct the representations of (political conflict) and its dynamic reflections on the aesthetic and conceptual structure of literary and poetic discourse. The critical and literary heritage has revealed great diversity in approaching the phenomenon of conflict, as the interaction between literature and politics oscillates between two contradictory paths: a positive path in which literature transcends to become an analytical and critical tool and a supervisory authority capable of deconstructing the dialectic relationship between the ruler and the ruled; and another path where literature may fall under the weight of coercion or negative ideological employment to serve the interests of authority and justify its ambitions. The research problem deepens further when the study moves from the abstract theoretical frameworks of the concept of conflict (whether psychological, class-based, or cultural) to the realistic, historical, and applied incubator. The waning of the political tide of states, their immersion in foreign wars and internal conflicts, and the fall of metropolises and kingdoms lead to the scattering of entities and the triggering of bitter identity and social conflicts generated by coercive living systems. The problematic issue here lies in how the poet and writer transform these tribulations and violent ripples from the realm of historical reality and static recording into a "silent revolution" in the aesthetic structure of poetry. Here, highly tense literary phenomena emerge, such as: political satire of dilapidated systems, literature of alienation, exile, and prisons resulting from oppression and tyranny, and the tragedy of "lamenting fallen cities and kingdoms," which constitutes the tragic climax of the dramatic structure of. | en |
| dc.format.medium | ETD | en |
| dc.format.mimetype | application/pdf | en |
| dc.identifier.doi | https://doi.org/10.31185/uowasit-116 | |
| dc.identifier.uri | https://repository.uowasit.edu.iq/handle/123456789/273 | |
| dc.language.iso | ar | en |
| dc.publisher | Wasit University | en |
| dc.title | البناء الدرامي للصراع في القصيدة الأندلسية في عصري الطوائف والمرابطين | ar |
| dc.title.alternative | (The Dramatic Structure of Conflict in Andalusian Poetry during the Taifa and Almoravid Periods) | en |
| dc.type | Thesis | en |
| thesis.degree.discipline | قسم اللغة العربية | ar |
| thesis.degree.grantor | جامعة واسط | ar |
| thesis.degree.level | masters | en |
| thesis.degree.name | ماجستير | ar |
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